Unlike many of the festival's floats that depict historical events or deities, the Ashikari Yama tells a deeply human story. It's a "moving museum" dedicated to the famous Noh play, "The Reed Cutter," by Zeami, a playwright often called the "Shakespeare of Japan." The float captures a poignant moment from the play, depicting a couple who, separated by poverty, are finally reunited. The man, now a humble reed cutter, is found by his wife, and their joyous reunion is immortalized in this beautiful spectacle.
The artistry of the Ashikari Yama is remarkable. The central statue of the couple is an incredible work of art, with the original head of the statue sculpted in 1537 by Ko-un of the Kei school. Even more astonishing is the original kimono worn by the statue, which is an Important Cultural Property and the oldest existing costume from the entire festival. Though these precious originals are now kept in a museum for conservation, their replicas on the float ensure the story and its beauty live on.
To witness the Ashikari Yama float is to experience a living piece of Japanese theater, history, and art all at once. It’s a powerful reminder that behind every grand festival and display of craftsmanship lies a compelling story waiting to be discovered. If you ever find yourself in Kyoto during the Gion Matsuri, be sure to seek out this remarkable float and immerse yourself in its timeless tale of love and reunion.
Visit : https://www.gionfestival.org/yamaboko-floats/saki-matsuri/ashikari-yama/
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