iterally, the "Great Ship Float." Resembling a vessel brimming with cultural treasures, it narrates the return of Empress Jingū from her mythic voyage to ancient Silla, symbolising triumph and the bounty of heritage.
Remarkably absent for over 150 years following destruction in the mid-1800s, it was carefully restored and reintroduced in 2014, captivating spectators once more with its grandeur The reconstruction itself was a monumental community undertaking—supported by donations, university-led research, and a shared goal of reviving this cultural jewel.
Ōfune Boko doesn’t just arrive—it sails through the streets, a moving shrine of artistic devotion. Bigger and more ornate than its Saki Matsuri counterpart, Fune Boko, this float’s appearance marks the closing of the festival’s spiritual circle as Kyoto bids farewell to its protective deities.
Whether you’re a history enthusiast or a festival lover, witnessing Ōfune Boko is a journey through faith, artistry, and community resilience.Visit: https://www.gionfestival.org/yamaboko-floats/ato-matsuri/ofune-boko/
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