Ashikari Yama — The Reed Cutter’s Tale of Love & Reunion

 When you stroll through Kyoto during Saki Matsuri (July 10-17), one float that always pulls heartstrings is Ashikari Yama (芦刈山) — also called “The Reed Cutter: Love Reunited.” 

Ashikari Yama is based on a Noh play by Zeami, the 14th–15th century playwright who is often hailed as Japan’s Shakespeare. The story it tells is simple but powerful: a man has been cutting river reeds to sell them for mats and blinds, while his wife, forced by circumstance, goes to Kyoto’s court. After years apart, they reunite in sadness and joy when she finds him in a humble riverside job. Eventually they return together to Kyoto.

What makes Ashikari Yama especially moving is its artifacts.
The original sacred statue’s head, signed by the famous Kei school sculptor Ko-un (dated 1537), is preserved, along with a 16th-century kimono that’s the oldest costume in the festival. For preservation, the original are now on display; the float uses replicas.

Ashikari Yama is more than just a float—it’s a reminder of longing, separation, hope, and finally homecoming. Walking by, you can sense that touch of everyday life mixed with deep tradition, which is what makes Gion Matsuri so timeless.

Visit: https://www.gionfestival.org/yamaboko-floats/saki-matsuri/ashikari-yama/